Playing Out the String
by
B. J. Leggett
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If Alfred Hitchcock had lived to direct a movie about the abuse of political correctness, it would have been Playing Out the String. This is a frightening novel of rabid political correctness, mistaken identity, mounting circumstances, and the will to destroy a man. Robert McCabe is a professor of film at a Tennessee university. Until this semester he’s passed his time trading film quotes with another professor to make a game of current events. Then a woman accuses him of exposing himself over the summer in the university library, and the quotes take on a new seriousness, starting with Ernest Borgnine’s “playing out the string” from his movie The Wild Bunch. Borgnine says this directly to indicate a fatalistic will to continue despite overwhelming odds. And sure enough, he and his friends are killed by gunfire. Amid mounting accusations will McCabe end in a similar spiral? Especially after he refuses to hire a lawyer and contacts a local journalist to give his side of the story . . .
ISBN, trade paper: 1-931982-44-9 price: ($14.95)
ISBN, library edition: 1-931982-43-0 price: ($25.00)
Excerpt from the book:
He traced its beginning more or
less arbitrarily to a Saturday morning in October when he stopped at a liquor
store on Kingston Pike and found that he was missing a credit card. The lost
credit card was of little consequence—it had no real connection with what
happened subsequently—but there was a link in his mind since it was in
retrieving it he first realized he might have a problem.
Robert McCabe is a professor of
modern literature and film. He is also a theorist, a fact not unrelated to
what follows. He explained to me, innocent as I am of literary theory, that
the concept of beginnings, like that of endings, is a fiction, an illusion of
language. Behind every beginning is another beginning, behind every source
another source, beyond every ending another ending. (This is a principle of
what is now called post-structuralism, and it is derived from a Nietzschean
concept that is said to have enormous consequences for Western thought, although
I could not tell you what they are.) But even if beginnings are arbitrary,
McCabe said, you have to begin somewhere, and he chose to begin with the
Saturday morning when he stood at the counter of Sequoyah Liquors with a bottle
of Bombay gin trying to remember when he had last used his Visa.
He was recounting the story as we sat at his kitchen
table in a small rented apartment in Knoxville, Tennessee, not far from the
campus of Western Appalachian University, where he teaches. He and his wife
Catherine, a psychologist in private practice, were building a house that
was several months behind schedule. The temporary apartment was dark and
cramped, the rooms stacked with packing boxes.